@the gallery and the artist

Maximillian William is pleased to present John Edmonds’ first solo exhibition in London. Titled One, the exhibition unites Edmonds’ work in Black and white from several bodies of work made between 2016–2022.

In Edmonds’ work, photography’s relationship to truth is repeatedly questioned. Describing his images as ‘quasi-documents’, the artist works almost obsessively with a number of models. These figures and friends – who become close to muses – hold, caress, and measure themselves against African sculptures in a search for subjectivity that is humanising, vulnerable and tender. The human body’s relationship with sculpture in Edmonds’ images can at times be erotic, other times playful. His subjects’ ambivalent expressions seem to consider the value of these objects, and in doing so, raise questions over the roles that individuals, institutions and photography play in assigning meaning and authenticity.

While Edmonds has worked extensively in large-format colour photography, this exhibition gathers work made in monochrome. Back with Scales and Shadows acts as a genesis point for the artist’s examination of Black and white photography specifically as its own medium, where the artist works with Black as both form and content. In Edmonds’ hands, African sculpture signifies both traditional cultural heritage and diasporic memory, and thus becomes a way to explore displacement and dispossession. The multiplicity of his subjects and ways of working – across formats and scales, colour and medium – have enabled this exhibition to be an opportunity to look back at his work as a single body. The exhibition’s title, One, notes this, while also gesturing toward new meanings and beginnings. In 2020, on a trip to Ghana, Edmonds was initiated into the Akan religion, which, much like his work, was both a moment of rebirth and a confirmation of a centuries-deep cultural bond.

For Edmonds, the photograph can become an act of transmission, where the image becomes a threshold between narrative and reality. He is endlessly interested in what he terms ‘photography’s ability to assign life’, and in its ability therefore to move beyond representation towards animating visions of the male gaze. Edmonds’ signature Du-Rags series, one of which is on view here, concentrates on hoods and headpieces as symbols of Black identity, and frames them and their wearers as majestic, spiritual and delicate. Echoed by the silk of their surfaces, these works counter often-repeated stereotypes of Black masculinity, and signal towards new images of identity and power.

Download the full press release

Free

Opening Hours

Tue-Fri 10am-6pm,
Sat 11am-6pm

Location:

47 Mortimer Street,
London, W1W 8HJ

Text and pictures, copyright maximillian william and the artist